ISBN: HB: 9780300273199
Yale University Press, Mercatorfonds
February 2024
176 pp.
26,0x21,0 cm
160 colour and black&white illus.
HB:
45.00 GBP
QTY:
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James Ensor and Stillife in Belgium: 1830-1930
Rose, Rose, Rose a mes yeux
A unique journey with James Ensor through the history of still life in Belgium in the nineteenth and twentieth centuries.
Still life played an important role within the work of Belgian expressionist and symbolist painter James Ensor (1860-1949). The quality and significance of his intriguingly complex still lifes become clear when placed within the broader development of the genre in Belgium between 1830 and 1930.
The book offers an overview of the nineteenth-century Belgian academic tradition of decorative painting, with intriguing work by lesser-known painters such as Jean Robie, Hubert Bellis, Frans Mortelmans, and Henri De Braekeleer, as well as forgotten female artists such as Berthe Art and Alice Ronner. In the early twentieth century, artists such as Louis Thevenet continued to develop the genre of still life in a traditional manner, while innovators such as the late James Ensor, Leon Spilliaert, Marthe Donas, Walter Vaes, and Gustave Van de Woestyne created highly personal interpretations.
Still life played an important role within the work of Belgian expressionist and symbolist painter James Ensor (1860-1949). The quality and significance of his intriguingly complex still lifes become clear when placed within the broader development of the genre in Belgium between 1830 and 1930.
The book offers an overview of the nineteenth-century Belgian academic tradition of decorative painting, with intriguing work by lesser-known painters such as Jean Robie, Hubert Bellis, Frans Mortelmans, and Henri De Braekeleer, as well as forgotten female artists such as Berthe Art and Alice Ronner. In the early twentieth century, artists such as Louis Thevenet continued to develop the genre of still life in a traditional manner, while innovators such as the late James Ensor, Leon Spilliaert, Marthe Donas, Walter Vaes, and Gustave Van de Woestyne created highly personal interpretations.
About the author
Bart Verschaffel is a philosopher and emeritus professor at Ghent University.
Sabine Taevernier is an art historian and specialised in 19th and 20th century art. As a curator she focused mainly on James Ensor.
Sabine Taevernier is an art historian and specialised in 19th and 20th century art. As a curator she focused mainly on James Ensor.